Lise Davidsen, who grew up in Norway playing sports and considering a future in songwriting, didn’t see Italian opera onstage until she was working on her master’s degree as a budding soprano in Copenhagen.
During her studies at the Royal Opera Academy a decade ago, she took in the classics: Puccini’s “Madama Butterfly” and “Tosca,” Verdi’s “Macbeth.” But she watched them without any thought that she would one day sing their famous roles.
They were still not on her mind when, after skyrocketing to stardom with a lightning-bright sound and power perfectly suited for the works of Wagner and Strauss, she debuted at the Metropolitan Opera in 2019, in Tchaikovsky’s “The Queen of Spades.”
On Monday, though, Davidsen, 37, will star in the Met’s new production of Verdi’s “La Forza del Destino.” And next season, she will sing the title role in “Tosca.” Suddenly, she has entered the world of Italian opera, taking on vastly different roles by two of its greatest composers.
“I had to work harder to convince the houses that I could even do Verdi and the Italian repertoire,” Davidsen said in an interview. “But vocally, I am quite ready.”
