When was the last time you looked at the exquisite list of synonyms for the word “baffled”? They may be among the best in the English language: puzzled, nonplused, discombobulated, flummoxed, stumped, fogged, wildered, buffaloed. They’re delicious, delightful, full of consonants, evocative of a very particular feeling: you’re presented with something that seems as though it should be clear, but you can’t make it make sense.
The occasion for my bout of word nerdery is the Adam Sandler movie “Spaceman,” and for that I thank the film. It is not a particularly confusing movie on its own, in part because we’ve seen its likes before: a spaceman, alone in the inky blackness, goes a little nuts, and also gains clarity on his life back on earth. What’s flummoxing about “Spaceman” isn’t what it is, but why it is.
Some bad movies were never going to be good (“Argylle”). Other bad movies never even tried (“Madame Web”). But “Spaceman” is that exquisite rare third thing — an awful movie, a very bad movie indeed, whose lousiness was almost certainly not apparent while it was in production.
Every sign points toward, if not a masterpiece, at least a pretty interesting genre experiment. The film has Sandler, whose acting chops are often underrated, in a dramatic role as the titular spaceman, whose name is Jakub. It has the great Carey Mulligan, who is currently up for a best actress Oscar, playing his estranged, pregnant wife Lenka. It is scored by the ubiquitous Max Richter. Its director, Johan Renck, also directed the outstanding mini-series “Chernobyl,” among the best television made in the past decade. And though it’s the screenwriter Colby Day’s first major feature, it’s based on Jaroslav Kalfar’s novel “Spaceman of Bohemia,” which won praise from science fiction critics.
I haven’t read Kalfar’s book, but a critic at The Guardian called it “‘Solaris’ with laughs,” which gives me a clue as to what may have gone awry. There’s some “Solaris” swimming around inside “Spaceman,” and also some “Gravity,” some “Interstellar,” some “First Man,” some “Ad Astra.” What there aren’t are laughs.
